Reporting from Cannes, read more about the European Film Music Day 2016 – A Nordic Focus and the meeting ‘Regards jeunes sur le cinéma’ in our latest newsletter here.
Photo credit: ECSA
The Authors’ Group meeting with EU Commissioner Tibor Navracsics addressed fair remuneration and transparency in remuneration flows for authors.
Read more in our newsletter here !
Photo credit: Georges Boulougouris
The News from Brussels edition 60 – April 2016 is available now giving an update on current ECSA projects. Click here to read about the following issues:
ECSA is, in collaboration with FERA (Federation of European Film Directors), FSE (Federation of Screenwriters in Europe) and the Directors’ Fortnight organising the European Film Music Day (EFDM) which will take place on 17 May 2016 in the framework of the Cannes Film Festival.
This year’s edition will be held under a Nordic focus in order to raise visibility of the Nordic film music and its creators. Confirmed partners are FTT (Icelandic Society of Authors & Composers) and SKAP (Swedish Society of Songwriters, Composers and Authors).
Designed as a day-long event, the EFMD programme will include roundtables, workshops and panel discussions on the creative collaboration between film music composers, film directors and screen writers as well as the European legislative dimension regarding the modernisation of the EU copyright rules (fair contracts, transparency), and new business models. The day will close with an evening reception at la Plage Quinzaine – the Directors’ Fortnight’s private beach. This event will again offer an exceptional opportunity for the invited composers to network with film directors, film producers, and other key representatives of the audio-visual industry.
More information on the programme to follow shortly.
ECSA has sent a letter to the International Confederation of Music Publishers (ICMP) addressing its public statement of 7 March 2016, in which the ICMP Board recommends “[…] that ICMP members also consider other licensing possibilities outside of SGAE in order to protect their repertoire in Spain”. SGAE is the Spanish collecting society.
Read the full ECSA letter here.
ECSA’s ECF committee members are kindly invited to participate in the Call for Works for the first edition of the ECCO Big Band concert taking place in Ljubljana on 28 September 2016.
Please find all the details and necessary submission information here below:
Deadline for submission is Friday, 20 May 2016 – 12:00pm (CEST).
ECSA’s ECF committee members are kindly invited to participate in the Call for Works for the ECCO Symphony Orchestra concert taking place in Ljubljana 2016.
Please find all the details and necessary submission information here below:
Deadline for submission is Friday 20 May 2016 – 12:00pm (CEST).
The ECCO Big Band Call for Works will be published soon.
MOËT & CHANDON GRAND SCORES, 10 FEBRUARY 2016, BERLIN
CELEBRATING INTERNATIONAL FILM MUSIC!
The Grand Scores 2016, initiated and curated by Moët & Chandon Germany, were organised in Berlin on 10 February 2016 as an intimate award ceremony dedicated to the celebration of international film music and its composers – casting the light on the value of film music composition and its unique contribution to the most emotional cinematic experiences.
ECSA, as the organisation representing film and audio-visual composers and songwriters on the European level, was the official content partner of this high-end event whose role was to develop a fair and well thought-out selection procedure ahead of the award ceremony. The Grand Scores International Jury with its members Anne Dudley, Javier Navarette, Philippe Rombi and Stephen Warbeck was in charge of selecting the winners for the Best Orchestral and the Best Electro-Acoustic score. The awardees of the honorary categories Outstanding Contribution and Exceptional Creative Partnership have been handpicked by an ECSA expert group.
The award ceremony was held at the beautiful Ballroom of the Hotel de Rome in Berlin where about hundred invited guests enjoyed the celebrations in form of a seated dinner.
The ceremony reunited renowned international film music composers, film directors, actors and representatives of the film music industry to honour film music and its multiple facets created by gifted composers.
The nominees for the Best Orchestral Score announced during the night were:
Gary Yershon was presented with the Grand Scores Best Orchestral Score Award by Chris Smith, film music composer and member of the Grand Scores steering committee from the very beginning.
The nominees for the Best Electro-Acoustic Score were also announced during the night:
Timo Hietala was presented with the Grand Scores Best Electro-Acoustic Score Award by Anne Dudley, Oscar-award-winning film music composer from Great Britain.
The award for Exceptional Creative Partnership, one of the honorary categories, was presented to film music composer Patrick Doyle and film director Kenneth Branagh by the renowned British film music composer Stephen Warbeck for their long-time collaboration. The ceremony ended with the Outstanding Contribution award presented to Eric Serra by ECSA Vice-President Bernard Grimaldi for his impressive career and talent composing so many well-known film scores.
ECSA is the European Composer and Songwriter Alliance representing over 30,000 professional composers and songwriters in more than 20 European countries. With 45 member organizations all across Europe, the Alliance speaks for the interests of music writers of art & classical music, film & audio-visual music as well as popular music.
ECSA has been appointed as sole content partner for the Grand Scores celebrations. In its capacity, ECSA is responsible for nominating the composers who will be celebrated for their work and talent during the Grand Scores night.
About Moët & Chandon:
“Glamour” and “success” have been Moët & Chandon’s core values since 1743. These values have been at the heart of Moët & Chandon’s activities for years, through the creation of exclusive, red carpet moments at international film award ceremonies.
With their involvement as initiator, host and main partner of the Moët & Chandon Grand Scores, Moët & Chandon are now aiming at creating an exceptional evening fully dedicated to film music and its exceptional composers.
Photo from the left: Patrick Doyle, Gary Yershon, Timo Hietala, Eric Serra
Photo credit: Moët & Chandon
Our first News from Brussels in 2016 is available now. Click here to read about the following issues:
Photo from left to right: Isabelle Buschke (VZBV), Magnus Franklin (Mlex), MEP Pavel Svoboda and ECSA President Alfons Karabuda ©ECSA
ECSA members will soon come together on the occasion of the ECSA Annual General Assembly and meetings of the popular, contemporary as well as film and audiovisual music committees. This gathering of composers and songwriters from all over Europe will be a special one as ECSA members will also elect a new Board and assess developments of the music industry, the European legislative agenda as well as ECSA’s activities for the upcoming years.
In the framework of the February session, ECSA will host the New Music Incubator (NMI) opening concert on 15 February 2016 at Q-O2 in Molenbeek. Another highlight will be the ECCO concert taking place at Flagey Cultural Centre on 16 February 2016, featuring The Sturm und Klang Ensemble performing six contemporary musical works from the following composers:
– Michael Berkeley (United Kingdom)
– Moritz Eggert (Germany)
– Julian Grant (United Kingdom)
– Peter Helmut Lang (Germany)
– Olli Virtaperko (Finland)
– Philippe Leroux (France)
The Authors’ Group consisting of the European Composer and Songwriter Alliance (ECSA), the European Federation of Journalists (EFJ), the European Writers’ Council (EWC), the Federation of European Film Directors (FERA) and the Federation of Screenwriters of Europe (FSE) released a joint statement on yesterday’s EC Communication “Towards a modern, more European copyright framework”, available here.
The latest edition of our News from Brussels is now available.
Click here to read about our Creators’ Roundtables in Washington DC and New York last week as well as ECSA’s participation in the S&D conference ‘Digital Data in the EU – Happily Ever After or Content Unavailable’.
For more photos of the Roundtable in New York, visit our Facebook page: www.facebook.com/composeralliance
Music will not be silenced. ECSA condemns the Paris attacks and their attempt to silence music, freedom of expression and our common universal values – all constituting key pillars of democracy. Our thoughts are with all the victims, their families and friends.
Photo credit Eiffel Tower: Jean Jullien
Yesterday, ECSA President Alfons Karabuda was elected Executive Vice President of the International Music Council, IMC, during its General Assembly in Rabat, Morocco. Alfons Karabuda has been a member of the executive board since 2013.
– “IMC promotes values well in line with those of ECSA. It is therefore with great enthusiasm and gratitude I continue my work within the IMC executive board as Executive Vice President”, says Alfons Karabuda.
During the ongoing IMC General Assembly in Rabat, the preparation of a digital agenda for music was prioritized and sharing the objectives of ECSA, IMC will participate in the ECSA Creators’ Roundtables in USA next week.
IMC, founded by UNESCO in 1949, is the world’s largest network of music organizations and institutions. IMC comprises over 1 000 organizations with 200 million members in 150 countries, promoting access to music for all and the value of music in the lives of all peoples.
(photo credit: Johan Olsson)
Whilst copyright law in the US and in the EU vary in many aspects, both the US and EU governments have established certain exclusive rights for authors in order to promote the progress of science and the arts and therefore of society in general. In light of the digital future and challenges related to the digital environment, the US and EU governments are aiming at modernizing copyright and adapting it for the digital future.
The roundtable in Washington DC on November 18 will therefore start with a focus on legislative issues as well as discussions on how to ensure fair remuneration in the digital environment. It will bring together key US and European creator groups, music industry representatives, representatives of the UN and the US Congress as well as representatives from the United States Copyright Office In order to assess the upcoming review of copyright law in the US and in the EU.
→ Flyer for Washington DC available here
The roundtable in New York on November 20 will focus on music industry related issues as well as fair and sustainable business models regarding streaming services and revenues. Stakeholders such as ASCAP, American Society of Composers, Songwriters and Publishers, as well as representatives from TIDAL, Spotify, Apple Music and the creators groups SGA (Songwriters Guild of America), CIAM, MCNA as well as A2IM, American Association of Independent Music, are expected to attend.
→ Flyer for New York available here
All partaking stakeholders are invited to present their view of the current situation and the future of digital music services from their specific perspective. The roundtables are hosted by ECSA, European Composer & Songwriter Alliance, and SKAP, Swedish Society of Songwriters, Composers & Authors, organized with the support of CIAM, MCNA and IMC (tbc).
The European Composer and Songwriter Alliance, ECSA, represents over 30,000 professional composers and songwriters in 23 European countries. With 45 member organizations across Europe, the Alliance speaks for the interests of music creators of art & classical music (contemporary), film & audiovisual music, as well as popular music.
The Swedish Society of Songwriters, Composers and Authors, SKAP, is the Swedish interest group for professional songwriters, composers, lyricists and adaptors of all genres. SKAP works for the rights of individual music creators and for good conditions in the field of professional music creation.
The International Council of Music Authors, CIAM, was created in 1966 to protect the rights and assert the cultural aspirations of music creators, CIAM focuses on the key issues directly concerning the moral rights of composers and creators of music. It promotes their professional, economic and legal interests and serves as a forum for cooperation and networking. It facilitates the exchange of information, ideas and best practice, and provides practical advice to help musical creators defend their professional environment.
Music Creators North America (MCNA) provides a voice for music creators in the ongoing discussions that will reshape national and international copyright law and policy. In addition, we wish to draw attention to the issues that matter, not only to us, but also to all those who love music and hope for a fair and vibrant marketplace for this essential cultural and economic endeavor.
We are back in the office from our autumn meetings in London providing you with our recent News from Brussels. Edition 56 includes articles about the ECSA London Declaration as well as the ECCO with BBC Singers Concert.
We would like to take this opportunity to warmly thank our British host BASCA for having us.
Click here and read our news in full length.
ECSA members from all over Europe adopted the London Declaration on the “EU digital single market and the necessity of a fair music value chain” on the occasion of ECSA’s General Assembly in London on 1 October 2015.
The London Declaration sets out what music creators request from EU policy makers as well as music industry stakeholders.
To read the declaration in full length, click here.
Composers and songwriters from all over Europe will gather for the yearly autumn meetings in London in order to discuss recent developments in the music industry, the EU digital single market and ECSA-related cultural activities. The General Assembly is hosted by BASCA, the British Academy of Songwriters, Composers and Authors and includes meetings of the ECSA committees on film and audiovisual music, as well as on contemporary and popular music (apcoe, ecf, fface). On the occasion of the General Assembly, the European Contemporary Composers Orchestra (ECCO) will perform nine new works of contemporary music from the UK, Finland, Norway, Slovenia and Poland. The composers are:
Our News from Brussels – edition 55 is available now! Read the following articles here: